{"id":700,"date":"2016-06-04T22:14:56","date_gmt":"2016-06-04T20:14:56","guid":{"rendered":"http:\/\/blogs.deia.com\/el-espacio-interior\/?p=700"},"modified":"2016-06-16T00:34:01","modified_gmt":"2016-06-15T22:34:01","slug":"floralis-generica","status":"publish","type":"post","link":"https:\/\/blogs.deia.eus\/el-espacio-interior\/2016\/06\/04\/floralis-generica\/","title":{"rendered":"Floralis Gen\u00e9rica"},"content":{"rendered":"<p>La floralis generica, es una escultura realizada en acero inoxidable y donada a la ciudad de Buenos Aires por el arquitecto Argentino, Eduardo Catalano.<br \/>\nLa escultura representa una flor que mira al cielo, extendiendo sobre \u00e9l sus seis p\u00e9talos abiertos.<br \/>\nUna de las caracter\u00edsticas de la flor es un sistema el\u00e9ctrico que abre y cierra sus p\u00e9talos dependiendo de la hora del d\u00eda.<br \/>\nLa flor est\u00e1 hecha en acero inoxidable y tiene un armaz\u00f3n de aluminio y hormigon.<br \/>\nMide 22m. De alto, peda 18 toneladas y abierta alcanza los 32m. De di\u00e1metro.<br \/>\nLockheed Martin la construy\u00f3 con materiales de uso aeronautico que se arqueaban con el peso y el viento.<\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image24.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-701\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image24-300x175.jpeg\" alt=\"image\" width=\"300\" height=\"175\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image24-300x175.jpeg 300w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image24.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image25.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-702\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image25-300x178.jpeg\" alt=\"image\" width=\"300\" height=\"178\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image25-300x178.jpeg 300w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image25.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image26.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-703\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image26-300x112.jpeg\" alt=\"image\" width=\"300\" height=\"112\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image26-300x112.jpeg 300w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image26.jpeg 632w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image27.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-704\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image27-300x215.jpeg\" alt=\"image\" width=\"300\" height=\"215\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image27-300x215.jpeg 300w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image27.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image28.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-705\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image28-240x300.jpeg\" alt=\"image\" width=\"240\" height=\"300\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image28-240x300.jpeg 240w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image28.jpeg 640w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image29.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-706\" src=\"http:\/\/blogs.deia.com\/el-espacio-interior\/files\/2016\/06\/image29-300x192.jpeg\" alt=\"image\" width=\"300\" height=\"192\" srcset=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image29-300x192.jpeg 300w, https:\/\/blogs.deia.eus\/el-espacio-interior\/files\/2016\/06\/image29.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>La floralis generica, es una escultura realizada en acero inoxidable y donada a la ciudad de Buenos Aires por el arquitecto Argentino, Eduardo Catalano. La escultura representa una flor que mira al cielo, extendiendo sobre \u00e9l sus seis p\u00e9talos abiertos. Una de las caracter\u00edsticas de la flor es un sistema el\u00e9ctrico que abre y cierra &hellip; <a href=\"https:\/\/blogs.deia.eus\/el-espacio-interior\/2016\/06\/04\/floralis-generica\/\" class=\"more-link\">Sigue leyendo <span class=\"screen-reader-text\">Floralis Gen\u00e9rica<\/span><\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":111,"featured_media":704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90365],"tags":[10435],"class_list":["post-700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","tag-arquitectura"],"_links":{"self":[{"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/posts\/700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/users\/111"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/comments?post=700"}],"version-history":[{"count":3,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/posts\/700\/revisions"}],"predecessor-version":[{"id":1093,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/posts\/700\/revisions\/1093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/media\/704"}],"wp:attachment":[{"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/media?parent=700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/categories?post=700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.deia.eus\/el-espacio-interior\/wp-json\/wp\/v2\/tags?post=700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}